May 22, 2008

Back of the House: Fife's Very Short Supply Chain


Marco Shaw, Chef/Owner, Fife Restaurant (left); Shari Sirkin, Co-owner, Dancing Roots Farm (right)

BACK OF THE HOUSE
Fife's Very Short Supply Chain

By Ivy Manning
Photos by Gregor Torrence
For Spring 2008

On a rainy day around noon, Shari Sirkin’s little red pickup truck pulls into the parking lot at Fife restaurant. The pixie-like farmer jumps onto the bed of the truck and lugs boxes of her just-picked, grown-to-order produce into the restaurant’s small kitchen.

Chef/owner Marco Shaw is there to greet her, eagerly digging through boxes like a kid at Christmas. Within seconds, he’s found a gaggle of pearly white turnips and begins lopping their greens off with a quick whack of his knife. The greens go tumbling into a bus tub. They’ll be braised with house-made pancetta later that night.

Sirkin opens a box, and picks up a head of burgundy-flecked castelfranco (an heirloom chicory). “Aren’t they amazing?” she says proudly. “They’re less bitter than last week’s, because of the cold.” The delivery is small — just four or five boxes of late-season squash, hearty greens, and root vegetables. But Shaw is patient. As the weather warms, he knows he will be receiving dozens more vegetables, produce he and Sirkin chose from seed catalogs during their annual January planting planning session.

As Chef Shaw sits down with sous chef Todd Matthews to write the daily menu, he laughingly says, “This is when you find out if you can really cook, in mid-winter to early spring when we’re down to two local purveyors. That’s when the mantra of local-seasonal changes. You won’t find me serving asparagus in February, but I could write a book on using kohlrabi, and Shari’s are the best. I think diners here understand what we’re doing and embrace it — they know we’re committed.”


Dancing Roots Farm, located in Troutdale, Oregon, provides produce for both Portland-area restaurants and individual households through their CSA program.

Fife Restaurant is located at 4440 NE Fremont, Portland, Oregon. Reservations are accepted: 971-222-3433.

January 16, 2008

Back of the House: Opera Season at Carafe

When the photos for the profile of Carafe’s back of the house first came in, the "opera" cake image was out of context. And then I learned the back story behind the photos and I fell in love with this department (new to Edible Portland). Ivy Manning and her husband Gregor Torrence take us behind the scenes, where we get to watch Pascal Sauton and the gang at Carafe handle a restaurant filled with hungry and hurried opera enthusiasts.

If Ivy's story makes you want to wait for the next opera before visiting Carafe, take note: Portland Opera's Rodelinda opens February 8th.
-Deborah Kane


Photos by Gregor Torrence

BACK OF THE HOUSE
Opera Season at Carafe

By Ivy Manning
For Winter 2008

It’s 5:30 on a Saturday night at Carafe. Through the pick-up window, pantry cook Sarah Bray can see groups of patrons dressed in tuxedos and evening dresses waiting outside the Parisian-style bistro. “Here they come,” she says with a deep breath.

It’s the first night of opera season at Keller Auditorium and chef/owner Pascal Sauton announces in a Parisian accent, “The shit hits the fan at 5:45 and won't stop hitting it until 7:15. Are you ready?”

Carafe’s unique combination of location (it’s nearly the only restaurant close to the auditorium) and French-meets-Pacific Northwest cuisine made with local ingredients brings the sophisticated theater crowd directly to his door, seemingly all at once.

The five twenty-something cooks led by Chef Sauton work in rhythmic prep-work dance—grilling artisan bread slices, whisking béarnaise sauce for the steak frites, braising Cattail Creek Farm’s lamb with rosemary, and 100 other tasks in a kitchen of about 350 square feet.

The electronic ticket machine breaks the silence at precisely 5:50 and orders come scrolling in faster than the cooks can grab them. Sauton calls out orders across the kitchen, “two escargot, one frisée salad with duck egg, one lamb—hold the Hubbard squash,” and a flurry of activity ensues. Soon, the pick-up window is full of bistro fare.

At precisely 7:15, the crowd of theatergoers rises almost as a single entity and exits one of Portland’s best-loved restaurants for the opera.



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